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Theodore Robinson Giverny oil painting


Giverny
Painting ID::  83760
Theodore Robinson
Giverny
Date 1889(1889) Medium Oil on canvas Dimensions 39.37 x 55.88 cm (15.5 x 22 in) cjr

   
   
     

Theodore Robinson Beacon Street Boston oil painting


Beacon Street Boston
Painting ID::  84739
Theodore Robinson
Beacon Street Boston
1884(1884) Medium Oil on canvas Dimensions 17 x 21 in (43.2 x 53.3 cm) cyf

   
   
     

Theodore Robinson The Old Mill oil painting


The Old Mill
Painting ID::  86005
Theodore Robinson
The Old Mill
Date c. 1892(1892) Medium Oil on canvas Dimensions 45.7 x 55.6 cm (18 x 21.9 in) cjr

   
   
     

Theodore Robinson Two in a Boat oil painting


Two in a Boat
Painting ID::  86667
Theodore Robinson
Two in a Boat
Date 1891(1891) Medium Oil on canvas Dimensions 24.77 x 35.56 cm (9.8 x 14 in) cjr

   
   
     

Theodore Robinson Giverny oil painting


Giverny
Painting ID::  87674
Theodore Robinson
Giverny
1889(1889) Medium Oil on canvas Dimensions 39.37 x 55.88 cm (15.5 x 22 in) cyf

   
   
     

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     Theodore Robinson
     1852-1896 Theodore Robinson (July 3, 1852 ?C April 2, 1896) was an American painter best known for his impressionist landscapes. He was one of the first American artists to take up impressionism in the late 1880s, visiting Giverny and developing a close friendship with Claude Monet. Several of his works are considered masterpieces of American Impressionism. In 1884 Robinson returned to France where he would live for the next eight years, visiting America only occasionally. Robinson gravitated to Giverny, which had become a center of French impressionist art under the influence of Claude Monet. La Debacle, 1892, collection: Scripps College, Claremont, CaliforniaHistorians are unclear when Robinson met Monet, but by 1888 their friendship was enough for Robinson to move in next door to the famous impressionist. Robinson's art shifted to a more traditional impressionistic manner during this time, likely due to Monet's influence. While a number of American artists had gathered at Giverny, none were as close to Monet as Robinson. Monet offered advice to Robinson, and he likewise solicited Robinson for opinions on Monet's own works in progress. At Giverny, Robinson painted what art historians regard as some of his finest works. These depicted the surrounding countryside in different weather, in the plein air tradition, sometimes with women shown in leisurely poses. An example of his mature work during this period is La Debacle (1892) in the collection of Scripps College, Claremont California.

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